The story follows famous opera singer Caterina Silveri (Jill Clayburgh). After the sudden death of her husband Douglas, she takes her troubled teenage son Joe (Matthew Barry) to Italy for a concert tour. In Rome, Joe becomes increasingly isolated and, without his mother's knowledge, descends into heroin addiction. When Caterina discovers the truth, she is overwhelmed with guilt and despair. Believing no one else can help, she takes extreme measures to try and save her son, leading to a shocking and emotional confrontation that blurs the lines between maternal care and forbidden desire.
Stylistically, La Luna blends Bertolucci’s signature lyrical cinematography with surreal, dreamlike sequences, and a haunting score that amplifies the film’s psychological intensity. Themes include mourning and emotional dependence, the corrosive effects of fame and ego, and the ambiguity of sexual and familial roles. Performances are notable for their emotional rawness: Sellers offers a startling dramatic turn far removed from his comedic persona, while Krabbé’s measured, simmering portrayal anchors the film’s moral tensions.
Видео La Luna (1979, Bernado Bertolucci) -subt. español la luna 1979 movie ok.ru
Released in 1979, "La Luna" is a critically acclaimed film directed by Bernardo Bertolucci, an Italian cinema icon. The movie stars Jack Nicholson, Maria Schneider, and Jane Fonda. Recently, "La Luna" became available to stream on OK.ru, a popular online platform. In this feature, we'll dive into the world of Bertolucci's masterpiece and explore its enduring themes and cinematic brilliance.
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This leads many viewers to community-based video hosting sites like OK.ru. These platforms often host "lost" cinema or hard-to-find international cuts that aren't available elsewhere, making them a hub for fans of Bertolucci’s more obscure works. Bertolucci’s Visual Mastery
Upon its release in 1979, La Luna shocked audiences and divided critics. While Jill Clayburgh received praise for her fearless, emotionally raw performance, the film's explicit handling of mother-son incest made it highly controversial. When Caterina discovers the truth, she is overwhelmed
: The film's visuals are the work of Vittorio Storaro, perhaps the greatest living cinematographer. Storaro, who had already shot Bertolucci's "The Conformist" and "Last Tango in Paris," as well as masterpieces like "Apocalypse Now," bathes "La Luna" in a rich, sensual palette. The interior scenes of the Roman villa are shot with deep, shadowy blacks and warm, golden light, contrasting with the stark, bright sunlight of the Italian exteriors. The photography is often cited by fans as being among the best of Bertolucci's career, rivaling even his later Oscar-winning work.
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was even harsher, labeling it "monstrous, cheap, vulgar rubbish". The New York Times Key Performance: Jill Clayburgh Видео Luna (1979) | OK.RU